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    <title>ANU Podcasts: Creative Arts</title>
    <link>http://www.anu.edu.au/discoveranu/content/podcasts/</link>
    <description></description>
    <dc:language>en</dc:language>
    <dc:creator>martyn.pearce@anu.edu.au</dc:creator>
    <dc:rights>Copyright 2012</dc:rights>
    <dc:date>2012-01-29T22:24:03+10:00</dc:date>
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      <title>Dr Susan West &#45; Common Artistry: releasing the musician within us all</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/dr_susan_west_common_artistry_releasing_the_musician_within_us_all/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/dr_susan_west_common_artistry_releasing_the_musician_within_us_all/#When:23:49:09Z</guid>
      <description>The ANU School of Music is developing a different model for musical engagement that gives concrete form to the idea of &amp;lsquo;Common Artistry&amp;rsquo;, particularly with regard to music making. It is widely acknowledged and accepted that human beings are a compulsively musical species, yet most of us do not engage actively with music making. Indeed, many of us believe that we are not &amp;lsquo;allowed&amp;rsquo; to make music at all because we have transferred our musical &amp;lsquo;rights&amp;rsquo; into the hands of those we regard as experts. Perhaps one of the stresses of modern life is not just our inability to connect via music, as we are supposed to do, but that we actively suppress our natural, core instinct to be musical together.The concept of &amp;lsquo;Common Artistry&amp;rsquo; has arisen through an approach to music making that prioritises the social importance of shared music making, not the perceived talent or skill level of the music maker. It provides a simple, concrete pathway that allows anyone and everyone to engage with music immediately, whether trained or otherwise. It incorporates ways by which the trained can share their skills in a way that is meaningful to both giver and receiver but also highlights the ways in which we can all learn from the so&#45;called &amp;lsquo;untrained&amp;rsquo;, be it a four&#45;year&#45;old singing with all heart and no noticeable tune, or an eighty&#45;four year old who believes he has no &amp;lsquo;voice&amp;rsquo; but carries a repertoire of hundreds of songs in his head.</description>
      <dc:subject>Public Lecture, Creative Arts</dc:subject>
      <dc:date>2011-11-15T23:49:09+10:00</dc:date>
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    <item>
      <title>Alice Giles introduces ANU School of Music&#8217;s new harps</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/alice_giles_introduces_anu_school_of_musics_new_harps/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/alice_giles_introduces_anu_school_of_musics_new_harps/#When:23:30:07Z</guid>
      <description>Associate Professor Alice Giles, Head of Harp Area at the Australian National Universities School of Music, introduces the School of Music&#39;s two newly acquired harps.</description>
      <dc:subject>Exhibition, Creative Arts, News &amp; Media</dc:subject>
      <dc:date>2011-11-15T23:30:07+10:00</dc:date>
    </item>

    <item>
      <title>Betty Churcher &#45; Notebooks &#45; public lecture</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/betty_churcher_notebooks_public_lecture/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/betty_churcher_notebooks_public_lecture/#When:05:36:19Z</guid>
      <description>Join Betty Churcher on a personal tour of her most beloved works, including masterpieces by Rembrandt, Goya, Manet, Vel&amp;aacute;zquez, Courbet, Vermeer and C&amp;eacute;zanne.</description>
      <dc:subject>Public Lecture, Creative Arts, Humanities, ANU College of Arts and Social Sciences, University, Arts and Social Sciences</dc:subject>
      <dc:date>2011-04-15T05:36:19+10:00</dc:date>
    </item>

    <item>
      <title>Art that is not language: Anthony Forge and Kamasan painting</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/art_that_is_not_language_anthony_forge_and_kamasan_painting/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/art_that_is_not_language_anthony_forge_and_kamasan_painting/#When:04:51:51Z</guid>
      <description>This lecture discusses the work of Professor Anthony Forge in the field of Balinese Kamasan painting. Anthony Forge argued that art has a visual quality, summed up by a quoted line from dancer Isadore Duncan who said &amp;lsquo;If I could tell you what it meant, there would be no point in dancing it&#39;. His interest in art as non&#45;verbal communication led him to Bali and Kamasan Painting. His work in Bali allowed him to explore the ways in which his Balinese collaborators experienced the world, and to develop new aspects of the understanding of the social meaning of art. By exploring these problems of meaning and communication in Balinese art, this lecture examines the relationship between Anthropology and Art History, with a particular focus on the responses of contemporary Kamasan artists to Forge&#39;s fieldwork project.</description>
      <dc:subject>Creative Arts, History &amp; Archeology, Humanities, Society &amp; Culture, ANU College of Arts and Social Sciences, Arts and Social Sciences</dc:subject>
      <dc:date>2010-11-18T04:51:51+10:00</dc:date>
    </item>

    <item>
      <title>Closing the Gaps in Indigenous Mortality &amp; Housing: Perspectives from the Social Sciences</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/closing_the_gaps/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/closing_the_gaps/#When:01:09:00Z</guid>
      <description>In delivering an apology to the Stolen Generations the Prime
Minister set a concrete target to halve the gap in infant mortality
rates between Indigenous and non&#45;Indigenous children within a decade.
Related to this is a subsequent declared need to improve housing
conditions for Indigenous Australians with the establishment of a
housing policy commission as the first step. In this forum, leading
academics discuss the scale and nature of the issues facing the new
government as it attempts to achieve these aims.
PART ONE 1&#45;2.30pm THE INFANT MORTALITY CHALLENGE
Indigenous Infant Mortality: what is known from available data Dr Elizabeth Sullivan, Director of the National Perinatal Statistics
Unit, Australian Institute of Health and Welfare, University of New
South Wales.
The Indigenous Infant Mortality Target: what needs to be achieved Associate Professor Heather Booth, Australian Demographic and Social Research Institute, ANU
Culture as Cause: the debates on improving aboriginal health Professor Francesca Merlan, School of Archaeology and Anthropology, ANU
PART TWO 3&#45;4.30pm THE INDIGENOUS HOUSING CHALLENGE
The Scale and Composition of Housing Needs Dr Nicholas Biddle, Research Fellow, Centre for Aboriginal Economic Policy Research, ANU
Housing Tenure in Remote Areas: directions and dilemmas Dr Will Sanders, Senior Fellow, Centre for Aboriginal Economic Policy Research, ANU
The Delivery and Performance of Indigenous Housing and the Persistent Relevance of Culturally Specific Factors Professor Paul Memmott, Director, Aboriginal Environments Research Centre, University of Queensland</description>
      <dc:subject>Public Lecture, Creative Arts, Indigenous Studies, ANU College of Arts and Social Sciences, Arts and Social Sciences</dc:subject>
      <dc:date>2008-04-09T01:09:00+10:00</dc:date>
    </item>

    <item>
      <title>Speechmaking in Australian History</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/speechmaking/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/speechmaking/#When:03:18:01Z</guid>
      <description>Allan Martin&#39;s two principal subjects as a historian, Sir Henry Parkes and Sir Robert Menzies, were both great orators.
Among questions&amp;nbsp;asked in this lecture (the Allan Martin Memorial
Lecture for 2007) are the following: When can a speech be said to have
affected history? What has become of that once popular institution the
public meeting and that once popular form the sermon? What is the
future for speechmaking in an age of speechwriters, doorstop
interviews, sound grabs, power points and the internet?
Allan Martin (1926&amp;ndash;2002) was an intellectual, institutional, and social
pioneer whose career as a historian spanned the second half of the 20th
century. When most Australians went to England for their postgraduate
work, he chose ANU, where he was the first doctoral student in History
in the Research School of Social Sciences. He accepted the Foundation
chair in History at LaTrobe University in 1966 and returned to RSSS as
a senior fellow in 1973.
Ken Inglis enjoyed Allan&#39;s friendship for more than 40 years. They were
long&#45;time colleagues in the history department of the ANU&#39;s RSSS, and
worked closely together on the 10&#45;volume bicentennial project initiated
in the department, Australians. A Historical Library .</description>
      <dc:subject>Public Lecture, Creative Arts, History &amp; Archeology, Journalism, Language &amp; Linguistics, ANU College of Arts and Social Sciences, Arts and Social Sciences</dc:subject>
      <dc:date>2007-05-24T03:18:01+10:00</dc:date>
    </item>

    <item>
      <title>Whose ABC?</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/whose_abc/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/whose_abc/#When:03:53:00Z</guid>
      <description>As controversy continues to swirl around Australia&amp;rsquo;s national
broadcaster, a long&#45;awaited history of its last 20 years provides
much&#45;needed insight and background to the current debates.
Distinguished
historian Ken Inglis first chronicled the ABC in his 1983 book This is
the ABC: The Australian Broadcasting Commission 1932&amp;ndash;1983. In his new
volume Whose ABC?, he covers intricate details of the reigns
of David Hill and Jonathan Shier and the stormy politics of the
broadcaster&amp;rsquo;s relations with the government over the last two decades.</description>
      <dc:subject>Public Lecture, Creative Arts, History &amp; Archeology, Society &amp; Culture, University, Arts and Social Sciences</dc:subject>
      <dc:date>2006-10-12T03:53:00+10:00</dc:date>
    </item>

    <item>
      <title>When Art Meets Science</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/when_art_meets_science/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/when_art_meets_science/#When:04:58:00Z</guid>
      <description>Science and art might sound like vastly different disciplines, but
Dr Tim Wetherell from ANU believes they are both motivated by a desire
to&amp;nbsp;make sense of the world in which we live.
A
sculptor and a scientist, Dr Wetherell talks about his experiences
working with various artists and scientists on a range of
interdisciplinary projects &#45; from the monumental sculptures of body
arts to growing living cells over a computer&#45;generated head.
This lecture was sponsored by the ANU College of Science as part of National Science Week 2006.</description>
      <dc:subject>Public Lecture, Biological Sciences, Creative Arts, Science Communication, ANU College of Science, Arts and Social Sciences, Medicine and Life Science</dc:subject>
      <dc:date>2006-09-22T04:58:00+10:00</dc:date>
    </item>

    <item>
      <title>Storytelling &amp; History Writing: Which Came First?</title>
      <link>http://www.anu.edu.au/discoveranu/content/podcasts/storytelling_history_writing_which_came_first/</link>
      <guid>http://www.anu.edu.au/discoveranu/content/podcasts/storytelling_history_writing_which_came_first/#When:04:01:00Z</guid>
      <description>Dr Valerio Massimo Manfredi traces out the interlinked lineage of &#39;story&#39; and
&#39;history&#39;, arguing that the latter became important when societies
needed to reinforce collective identities through an authorised version
of the past.
Once upon a time people began telling stories. These early tales
stuck to the truth, narrating actual events. Soon, storytellers became
aware that to hold the attention of their audience they needed to jazz
things up with liberal dashes of adventure and wonder. If reality
didn&amp;rsquo;t conform, the truth could be bent to more attractive designs. Dr
Manfredi proposes that despite the need for history, the continuation
of the storytelling tradition is a testament to the human imagination.
This lecture was presented by&amp;nbsp;the ANU College of Arts&amp;nbsp;and Social Sciences and the Italian Embassy.</description>
      <dc:subject>Public Lecture, Creative Arts, History &amp; Archeology, Humanities, Society &amp; Culture, ANU College of Arts and Social Sciences, Arts and Social Sciences</dc:subject>
      <dc:date>2006-09-04T04:01:00+10:00</dc:date>
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