| Gordon is an art historian
and theorist. He has a Master of Arts with First Class Honours (1991),
and a Bachelor of Arts with First Class Honours (1984), both undertaken
in the Power Department of Fine Arts at The University of Sydney.
He is currently Senior Lecturer and Head, Art Theory Workshop, School
of Art, ANU. |
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Gordon's current research
is towards a Doctor of Philosophy, undertaken part time in the
Graduate Program in Interdisciplinary Cross-Cultural Research.
The dissertation title is 'Present Objects: Indigenous art in
the context of contemporary art exhibitions.' His supervisors
are Howard Morphy (CCR, ANU), Geremie Barme (RSPAS, ANU) and Nicholas
Thomas (Goldsmiths College, University of London). Gordon's previous
research was concerned mainly with the Australian Colonial Landscape.
Professional Societies, Editorial Boards:
Gordon is an active member of the Art Association of Australia
and New Zealand. In 1997 he co-convened the Annual Conference
at the ANU with Professor Joan Kerr, then of the Centre for Cross-Cultural
Research. He was elected to the executive as Treasurer and Membership
Secretary of the Association for 1998 and 1999, 2000 and 2001.
Teaching and Supervision:
Gordon has taught at tertiary institutions since 1984; as a tutor
at The University of Sydney; as a
lecturer at The University of Western Australia; and as a lecturer
and senior lecturer at the Australian National University, School
of Art. He is currently Senior Lecturer and Head, Art Theory Workshop,
School of Art, ANU.
Publications:
Gordon is a regular contributor to contemporary art analysis
and debate in Australia with reviews and commentary published
in journals such as Agenda, Art and Australia, Art Monthly Australia,
Art AsiaPacific, The Australian Journal of Art, Like, Art Magazine
and Photofile and in numerous exhibition catalogues. He has also
made modest contributions to 'The Oxford Companion to Aboriginal
Art and Culture', Sylvia Kleinert and Margo Neale (eds), OUP 2000
and 'The Dictionary of Australian Artists', Joan Kerr (ed), OUP
1992.
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