tapes &

installations

1980		Singing Stone 4:22 mins
		Curtain 4:00 mins
		I Would Have Run But I Had A Heavy Cold 15:00 mins
		Transition Transmission 5:00 mins
1982		Massage 7:00 mins
1983		Kiru Umi No Yoni / Cutting Like the Ocean:A Didactic Document 16:00 mins
		Nin Nin 3:00 mins
1985		Image Music Tim Donahue 4:43 mins
1986		How to Make the Famous Pisco Sour; A Videotape in Three Locations Version 2 16:10 mins
		Bon Voyage 4:35 mins
		Double Trouble 5:23 mins
		Kommunication 4:28 mins
		Kinema No Yoru (Film Night) 2:15 mins
		Karkador 2:55 mins
		The Esthetics of Disappearance 5:55 mins
		Visions 4:45 mins
		Kiru Umi No Yoni/Cutting Like the Ocean; A Didactic Document 21:53 mins
		East Meets West (Sandii & the Sunsetz) 3:37 mins
1987		Australian Video Festival Commercials 2 x 00:30 mins
		If Pigs Could Fly (The Media Machine) 4:20 mins
1988		Style 4:25 mins
		Powerhouse Logo 00:16 mins
		Night's High Noon: An Anti-Terrain 7:26 mins
1989		Neo Geo: An American Purchase 9:17 mins
1991		Museum of Contemporary Art Video 4:25 mins
		Adelaide Festival Video 00:30 mins
1992		Ambient Alphabet (c of meaning) 5:16 mins
1990-93		Bilderbuch für Ernst Will (Ernst Will's Picture Book): A Euro Rebus 11:00 mins
1994-99		Lost in Translation 6:00 mins

complete installation works 1980-1999

1980		Our Potential Allies dual monitor installation 15:00 mins various locations including Australian Perspecta (1981) Art Gallery of NSW Sydney
		Shared Shadow two monitor installation 7:00 mins The Sydney Studio
		Evidance two monitor installation 4:00 mins The Sydney Studio
1981		A Story Story three monitor installation 20:00 mins The Sydney Studio
		Elementary Alphabetical three monitor installation 20:00 mins Roslyn Oxley Gallery Sydney and "A Different Perspective" Artspace Sydney
		Two of Swords three monitor installation 20:00 mins Roslyn Oxley Gallery Sydney
1983		Kiru Umi No Yoni/Cutting Like the Ocean installation incorporating video Kaneko Art G1 Tokyo; Roslyn Oxley Gallery Sydney; "Interface" University Gallery Adelaide (1984)
1984		1979 Animals dual screen installation with drawings Roslyn Oxley Gallery Sydney; "Correspondences" University Gallery Hobart
1986		How to Make the Famous Pisco Sour; A Videotape in Three Locations installation incorporating video "Australian Video Festival" Art Gallery of NSW Sydney; "Pleasure of the Gaze" Art Gallery of Western Australia Perth
		A Burning Church installation incorporating video "Ohya Underground" Ohya Quarry Utsonomiya Japan
1988		Technology As Territory: Video & Desire in Japan installation incorporating videos and multiple slide projections Artspace Sydney; Praxis, Perth; Australian Centre for Contemporary Art, Melbourne
1988		A House Divided installation incorporating videos and built structures "Ars Electronica" Bruckner Haus Linz Austria
1989		A Hole to China installation incorporating videos and built structures "In Transit" Festival of Canterbury Canterbury
		Night's High Noon installation incorporating videos and built structures "In Transit" Chisenhale Gallery London
1990-92		The Fujiyama Pyramid Project installation incorporating videos and built structures Long Beach Museum of Art Long Beach (1990)."Video Positive", Liverpool (1991); "Australian Perspecta" Art Gallery of NSW (1991); "Installation Age" Tokyo Metropolitan Museum of Photography Tokyo (1992)
1991		Our Potential Allies Version 2 three monitor installation 15:00 mins "Refiguring the Media Image" Ivan Dougherty Gallery Sydney
1992-95		Men of Vision: Lenin + Marat installation incorporating videos and built structures Adelaide Festival (1992); "Video Positive", Liverpool (1993); Angel Row Gallery Nottingham (1994); "Multimediale 4" ZKM Karlsruhe (1995)
2002-03		Vinculum Digital prints "Refiguring the Media Image" Ivan Dougherty Gallery Sydney