In exploring these questions, I have become the ‘designer’ rather than the ‘maker’ in a collaboration with the Huaguang Company’s Bone China division (Zibo, PRC). This project is very ‘hands-on’ and I work closely with both the mould makers and factory workers as the pieces are produced, and adjusted. I have been particularly interested in the way that the change in material (porcelain to bone china) affects changes in the product, and how ‘design’ has created a resonance between the handmade and the factory ware.

Since finishing her training at East Sydney Technical College in 1971, Janet DeBoos has taught widely (Head of Ceramics ESTC 1979/80 and presently Head of Ceramics Workshop ANU), exhibited regularly in group and solo exhibitions in Australia and overseas. She has run a production pottery (Brindabella Pottery) for over twenty years, written/co-authored three books on glazes, conducted many public workshops as well as been an invited speaker at many conferences and seminars. She is represented in public collections both in Australia and overseas.

 

My practice has always been centred on domestic ceramics, the processes by which it comes into being and the performative aspects of use by which it gets ‘remade’. I have since the mid 1980’s regularly exhibited work that presents these usually private acts publicly.

I have worked with other media (sound and video/film) to examine the nature of production, and with other materials (polystyrene and disposable plastics) to examine the way we use things. Since 1996 I have been involved in the examination of what is ‘lost’ (if anything) when domestic ceramics items are no longer handmade. (What if the importance of ‘handling’ is not in the making, but only in the use?).

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